We spent 26 hours on research, videography, and editing, to review the top choices for this wiki. Canon’s video capabilities are among the best in the business, and their equipment is used throughout the film and television industry. This selection of their lenses represents the most ideal combinations of focal length, sharpness, durability, and low-light performance that you could hope to pair with your DSLR. When users buy our independently chosen editorial picks, we may earn commissions to support our work.
7. EF 40mm f/2.8
In classic movies, the 28mm lens is one of the most heavily relied on by the top directors, and the EF 40mm f/2.8 provides the same angle of view on a full frame DSLR as the 28 does on super 35mm film. Its pancake design allows you to set it up in tight quarters.
Shooters in the market for something a little more stylistic would do well to consider the EF 8-15mm f/4 L Fisheye, the intense barrel distortion of which will make for otherworldly music video work that’s great for use with classic, ’90s-type hip-hop.
If you’re looking for something that can serve the vast majority of your needs, from relatively wide angles to the beginnings of the telephoto range, then the EF 24-105mm f/4 L II is likely your best bet. It has a slightly slower max aperture than other options, though.
The EF 35mm f/1.4 L is wide enough to set a good master shot, and its close focusing distance of just 0.92 of a foot makes it a viable option for your medium and closeup angles, as well. With its fast aperture, you can get great results without a lot of available light.
Coming in at a focal length that’s very close to natural human vision, the EF 50mm f/1.2 L is ideal for capturing real-world events, as well as creating realistic movie moments in narrative cinema. Its incredibly fast aperture creates a stunningly shallow depth of field.
With its telephoto reach and closeup capabilities, the EF 100mm f/2.8 L Macro provides shooters with an incredibly versatile tool for their storytelling needs. It’s also a surprisingly inexpensive option for how much use you’ll get out of it.
The wide-angle zoom range of the EF 16-25mm f/2.8 III L makes this the kind of lens you can mount on your DSLR and use for the entirety of a film shoot. It’s great for use in adverse conditions, as well, as it boasts a high level of dust and water resistance.