We spent 28 hours on research, videography, and editing, to review the top options for this wiki. If you’re a Canon shooter who wants to be able to get up close and personal with a wide variety of subjects, you’re going to want to get your hands on one of the telephoto lenses on our list. We’ve selected the absolute best that the company has to offer, along with some third-party options that may surprise you with their quality. When users buy our independently chosen editorial picks, we may earn commissions to support our work.
8. EF 70-300mm f/4-5.6 IS II
If you’re looking for a little more reach without necessarily upgrading to the most expensive glass on the market, then the EF 70-300mm f/4-5.6 IS II might suit you nicely. It’s a bit ahead of its time thanks to a digital display for your zoom and focus data.
With its long focal length range, the Sigma 150-600mm f/5-6.3 Sports DG is one of the more versatile options out there, but its extended reach comes at the cost of its speed, which prevents you from getting the most out of it in low-light situations.
A safari is expensive enough that you might hesitate to spend more on a lens than you did on your airfare, but when you see the images that you captured with the Sigma 500mm f/4 DG OS, you’ll be grateful that you made the investment.
The EF 400mm f/4 DO II isn’t technically an L-series lens, but it boasts everything that that line of glass is known for. In addition, this model is made with the company’s Diffractive Optics system, which reduces the unit’s size without sacrificing quality.
For significant reach that can perform exceptionally well in low light, look no further than the Sigma 120-300mm f/2.8 Sports DG. With such a fast aperture at full extension, this is a great option for wildlife shooters working at night.
If you shoot professionally, and you need to get as close to your subjects as humanly possible without necessarily getting near them physically, then the beastly EF 600mm f/4 L II is your only true option. Its incredible reach and fast aperture ensure tack sharp photos.
The EF 70-200mm f/2.8 L III is one of the most frequently used pieces of glass by event photographers, as it gives you sufficient reach to capture candid moments between subjects without totally removing you from the action at hand.
With its impressively fast constant aperture, the EF 200-400mm f/4 L provides shooters of everything from professional sports to wildlife the opportunity to capture their subjects in great detail, even if lighting conditions aren’t optimal.