We spent 25 hours on research, videography, and editing, to review the top choices for this wiki. With a company like Canon, you can generally expect all of their lenses to be high quality, but the glass that they produce for their coveted L series represents the finest of the brand’s offerings. Fortunately, they make these exquisite models for almost every focal length, and with a wide variety of shooters in mind. When users buy our independently chosen editorial picks, we may earn commissions to support our work.
9. 90mm f/2.8L Macro Tilt-Shift
The 90mm f/2.8L Macro Tilt-Shift utilizes a special mechanism that allows you to control the amount of planar distortion introduced by the framing of your image and the way its contents interact with the curve of the lens’ glass.
If you’re headed out on safari any time soon, or if you cover professional sports, you’re going to need a high powered telephoto zoom like the EF 200-400mm f/4L IS. You’ll be able to capture the glint in that lion’s eye from a nice safe distance.
Sought after by portrait photographers for its shallow depth of field and the way it generously renders the shape of a human face, the EF 85mm f/1.4L IS USM may be one of the most flattering pieces of glass for any subject to sit in front of.
High-quality wide angle photography requires exceptional glass to prevent distortion, and the EF 11-24mm f/4L is one of the finest options for this kind of shooting in any brand’s lineup. Its permanent lens hood does a nice job of reducing flare.
Prime shooters need to outfit themselves with glass at certain focal lengths to ensure that they can capture specific shots as needed, and the EF 35mm f/1.4L II is one of the sharpest and most useful fixed options on the market.
With an EF 24–105mm f/4L IS II mounted on their camera, videographers can shoot entire feature films without ever swapping out glass, as the generous range in focal length and ideal f/4 aperture allow for some stunning cinematography.
If you’re looking to get a little more telephoto reach out of your DSLR, the EF 70-200mm f/2.8-32 III will provide you with just enough to cover most events from a comfortable distance. The company has applied its air sphere coating to eliminate ghosting.
Shooters who do a lot of work in close quarters, but who don’t want their images to suffer from any fisheye barrel distortion, will appreciate the focal length of the EF 16–35mm f/2.8L III, which gets just wide enough to capture most indoor scenes.
The EF 24-70mm f/2.8L II USM is one of the most well-respected pieces of glass in the company’s lineup, thanks in large part to its fast, constant aperture and its undeniable edge-to-edge sharpness. Its focal length range is great for a lot of different situations.