We spent 25 hours on research, videography, and editing, to review the top selections for this wiki. If you own a Canon DSLR, whether it’s from the top of their lineup or just an entry-level option, placing a good piece of glass in front of it can take your pictures to the next level. The zoom lenses for Canon cameras on our list offer you multiple focal lengths from a single model, reducing the time you spend swapping out, and giving you bright, sharp images. When users buy our independently chosen editorial picks, we may earn commissions to support our work.
9. Sigma 24-105mm f/4.0 Art DG
The minimum focusing distance on the Sigma 24-105mm f/4.0 Art DG is an impressive 45 cm, allowing you to get rather close to whatever it is you’re shooting. It’s a lightweight option with a focal length range that can serve you in almost any situation.
The Sigma 50-100mm f/1.8 Art DC boasts a fast aperture all the way out to 100 mm, making this an excellent choice for portrait artists and headshot photographers who prefer a shallow depth of field. Its skin tone reproduction is exceptionally creamy.
If you need something with a little extra telephoto reach for your next safari or even just to capture the memorable moments at your child’s soccer game, the EF 100-400mm f/4.5-5.6L can take your field of view right into the action.
The distortion on a high-quality super-wide lens will enhance your image, not ruin it, and the EF 8-15mm f/4L Fisheye USM is an incredible example of how you can have a fisheye effect that’s still very sharp from edge to edge.
Both event and landscape photographers will be able to find a great number of uses for the EF 16–35mm f/2.8L III USM as it can get pretty wide without much barrel distortion. It’s also an excellent choice for filmmakers shooting on DSLRs.
One of the most useful options in the company’s lineup, the EF 24-70mm f/2.8L II USM runs a focal length that opens up just wide enough to capture most rooms, and pushes in to the brink of the telephoto range, all at a fast, constant aperture.
Wide-angle shooters will love the EF 11-24mm f/4L USM, the wider end of which edges out the comparable model by Nikon by a full 3mm. That little bit of extra width goes a long way when shooting in tight quarters or trying to make real estate photos really pop.
If you want something that you can mount on your DSLR at the beginning of a shooting day and never have to swap out, the EF 24–105mm f/4L IS II is likely your best bet. Its internal image stabilizer will buy you up to four stops of added performance.
The EF 70-200mm f/2.8L IS II is easily one of the finest pieces of glass available on the market, with an autofocus system whose speed and accuracy are simply outstanding. Also, its ultrasonic motor operates in almost perfect silence.